This article can also be found on Media Gateway.
Charlotte Campbell's PledgeMusic campaign for her debut album, Blue Eyed Soul, has been going from strength to strength since its inception. With just under two weeks to go until release, and almost 600% of her initial target raised, I reckon it's safe to say that she's doing pretty well for herself!
She very kindly agreed to an interview with me about her album, her inspirations and working as an independent artist in the music industry.
You’ve been singing for as long as you can remember; what's your earliest musical memory?
My earliest musical memory is watching my dad play the piano and learning Twinkle Twinkle Little Star because my dad put stickers on the right notes! Also singing on long journeys to Wales with my Grandparents; show tunes were a particular favourite!
Having started composing your own material from the age of 15, what things have helped to inspire your music over the years?
I think teenage crushes and love and heartbreak were my first inspirations, and I really just wanted to get all my feelings of anxiety and injustice out in the open. But as I got older I realised that that doesn't necessarily make for interesting song-writing, and started to really analyse why we connect with certain lyrics and how to create something heartfelt but also universal.
What is it about music that has made it such a driving force for you?
My family have always been very musical so it's been an important part of my life since I was young, and as I grew up I saw how much emotion can be expressed through music and writing so it has kept me strong in hard times, and always gives me something to work towards and achieve. It's also basically the only thing I've ever been good at...I wasn't good at sport and my drawing skills are something to be desired, and I was not very intelligent at school, but was good at singing and so I worked hard at it.
You’ve been recording the majority of your music from home; what has been the biggest challenge you’ve faced producing your material independently? (I’ve spelt that indepentendly no less than three times now. I think I need sleep, or spelling lessons. One or the other.)
Yes I have! To be honest it has been a lot of fun for the most part! The biggest challenge is choosing which direction to go with in terms of production! There are just so many options...Do I want it to be a country barn dance type track...or perhaps this is a heavy rock ballad I'm going for...? But in the end I just want it to sound like me, which is where my independence has been a blessing because the album sounds just like me, because I made it all! Saying that, I've had a plethora of help from my band (Ideawake) who have done all the drums, electrics guitars, bass, strings and mixing and I know it's been a struggle for them putting up with me! Everything is just a little bit/not quite enough spangly/stompy/squinty, or other words that I make up to describe something indescribable...They have been real troopers through this whole thing and I owe them a lot!
You’ve been following this dream your whole life. How does it feel now that dream has become reality, and your debut album, Blue Eyed Soul, is soon to be released?
I'm obviously VERY excited, (and a little nervous!). But it's strange because the dreams I had were never like this, because you never think that this kind of thing is possible. My dream was to sort of get a big record deal and make an album, but with technology and the music industry the way it is, making an album yourself is really the way to go!! So I'm quite proud of myself for growing up, seeing the state of the music industry and forming a plan of making my dream come true without the middle man. I think it's the general view that you can't make an album until you get signed to a major label, but I implore all musicians to just go and get on with it! You don't have to wait around your whole life to make a dream come true!
What has been your key inspiration throughout the production of Blue Eyed Soul?
Are there any stories behind the songs on the album?
My band are my biggest inspiration to get on with the album...Mat, Mark and Chris convinced me that I was capable of doing this myself and that they would be behind it all the way. I don't think I'd have got on and done it without them! I'm currently studying song-writing and write around 3 songs a week as assignments... Most of them have gone straight in the bin, but the briefs they set out have brought out a whole other side to me that I've really explored on Blue Eyed Soul. My favourite song on the album is about following your dreams, but I wrote it when I was really feeling constricted about my music and whether it's a viable career choice; the song kind of asks how far can we really chase our dreams, because you can aim for the sun but it'll burn you when you reach it. That's a favourite of mine because I think the lyrics express how I felt about releasing the album. And yes, it's definitely worth it.
Have any other artists had an influence on your music?
Throughout the whole album mixing I keep saying to the boys "Can we just make it sound like Colbie Caillat please?" - so mostly her. But I love my band because they bring a lot of different sounds to the table and a lot of genres have been suggested - making every song sound unique.
If you had to pick your top three songs from the album, what would they be and why?
Feathers and Wax is one I mentioned earlier. But I think I'll let everyone make their own judgements!
You received an incredibly positive response on PledgeMusic, with 100% of your target raised in just 4 hours, and it’s continued to grow exponentially (two weeks until release and almost 600% of the initial target).
What was your first reaction when you hit the 100% mark?
And how does it feel to have this much support backing your project?
I was honestly nearly crying at 100%! I was running around the room and making strange noises, and also reassessing my 'target' and sitting down making a new plan for expensive microphones! I think the best thing about reaching 100% so quickly was that people actually wanted to buy my album, and that was what got me so emotional!
What has been the most popular incentive among pledgers?
People have been really keen on the Old EP 'Stay' as well as the Blue Eyed Soul hard copy. I think because I have never made 'Stay' available as a hard copy before, people wanted a copy and I was chuffed that people still wanted the old songs!
Looking back on your career, what have been the highlights for you?
What hopes do you have for the years to come?
I will never forget opening my letter from the BRIT school and also seeing my name on the list for a set at Glastonbury. They were movie moments for me! But I have high hopes for more festivals and more albums!
---
Charlotte's Blue Eyed Soul campaign comes to an end on the 13th of April. To support the release of her debut album and get your hands on some additional incentives, check out her PledgeMusic page here.
You can also find out more about Charlotte on her website, and subscribe to her YouTube channel.
Sunday, 7 April 2013
Sunday, 31 March 2013
Doctor Who - The Bells of Saint John Review
This review can also be found on Media Gateway.
Easter is all about celebrating the man who died and was resurrected to save us all... And this Easter, he’s returned to Earth to save humanity from being uploaded to a Cloud server at the behest of Richard E Grant as the Great Intelligence. Yes, the Doctor’s back in a new adventure with a new companion and, most importantly, a new and irrefutably stylish jacket in the first episode of 2013 (technically episode seven of series seven), The Bells of Saint John by Steven Moffat.
Having secluded himself to a life of monkhood in 1207, the Doctor has apparently been spending a lot of time pondering the enigmatic existence of Clara ‘Oswin’ Oswald; the woman twice dead. However, his solitude is once again disturbed as the monks inform him the bells of Saint John are chiming - or, more accurately, the TARDIS phone is ringing. Quite perplexingly, the call is from Clara Oswald (21st Century version, not she who was a Dalek, or of the Victorian era) asking for help getting online, having been given the phone number by The Woman In The Shop who is presumably going to be revisited in a future narrative.
Arriving on Earth, having tracked down Clara Oswald III, the Doctor discovers that all is not right in the world. There's something deadly in the WiFi, and people's conciousnesseseses are being uploaded; a plot conducted by a spectacularly villainous Celia Imrie. As the Doctor and Clara attempt to find the cause, their investigation leads them to a prominent point in central London...
The Bells of Saint John promised to be an action-thriller inspired by the likes of James Bond and the Bourne trilogy, and it certainly didn’t disappoint! It was witty, engaging and fundamentally enjoyable with moments of humour set against the backdrop of an intriguing and unnerving plot; exactly the recipe for a sublime Doctor Who narrative. There were moments that felt quite Sherlockian with the on-screen text, some elements were reminiscent of The Idiot’s Lantern and Silence in the Library, and there was a definite Blink vibe about the recorded warning message before the credits; none of which felt like it was a rehash of old material, but rather something recognisable that was fresh and unique to this story.
It was also the perfect introduction for Clara Oswald, the Doctor’s new time-travelling companion; although we’ve already met her in Asylum of the Daleks and The Snowmen (albeit in completely disparate scenarios), this episode re-introduced her in a way that felt both familiar and new - kind of like bumping into someone you used to go to school with, but they haven’t the foggiest clue who you are.
Now properly established in her role as Clara, Jenna-Louise Coleman is the quintessential companion, and her chemistry with Matt Smith is wonderfully dynamic. As ever, Matt Smith is thoroughly excellent as the Doctor and is a constant joy to watch, and considering Coleman has only featured in two previous episodes, it’s remarkable that she already feels just as much a part of the show as Smith or the TARDIS. I’m looking forward to watching her character develop more over the coming episodes (and, of course, the 50th anniversary special), and intrigued to discover the truth behind her character is seemingly scattered around time and space (sidenote: in Clara’s ‘101 Place to See’ book, her 16th and 23rd years are missing... Did she just not write down those two ages, or is there something to it?)
All in all, The Bells of Saint John is a phenomenal way to kick-off Doctor Who’s 50th year and a fantastic return to series seven. It’s one of the most entertaining and well-rounded episodes in a while, an absolute highlight for series seven so far, and certainly ranks highly, close to The Doctor’s Wife, in my list of all-time favourite Doctor Who stories.
Next week, Clara asks the Doctor to take her somewhere awesome, and he doesn’t disappoint in The Rings of Akhaten...
If you missed last night’s episode, you better have a bloody good reason.
Catch it on iPlayer here.
┓┏ 凵 =╱⊿┌┬┐
Easter is all about celebrating the man who died and was resurrected to save us all... And this Easter, he’s returned to Earth to save humanity from being uploaded to a Cloud server at the behest of Richard E Grant as the Great Intelligence. Yes, the Doctor’s back in a new adventure with a new companion and, most importantly, a new and irrefutably stylish jacket in the first episode of 2013 (technically episode seven of series seven), The Bells of Saint John by Steven Moffat.
Having secluded himself to a life of monkhood in 1207, the Doctor has apparently been spending a lot of time pondering the enigmatic existence of Clara ‘Oswin’ Oswald; the woman twice dead. However, his solitude is once again disturbed as the monks inform him the bells of Saint John are chiming - or, more accurately, the TARDIS phone is ringing. Quite perplexingly, the call is from Clara Oswald (21st Century version, not she who was a Dalek, or of the Victorian era) asking for help getting online, having been given the phone number by The Woman In The Shop who is presumably going to be revisited in a future narrative.
Arriving on Earth, having tracked down Clara Oswald III, the Doctor discovers that all is not right in the world. There's something deadly in the WiFi, and people's conciousnesseseses are being uploaded; a plot conducted by a spectacularly villainous Celia Imrie. As the Doctor and Clara attempt to find the cause, their investigation leads them to a prominent point in central London...
The Bells of Saint John promised to be an action-thriller inspired by the likes of James Bond and the Bourne trilogy, and it certainly didn’t disappoint! It was witty, engaging and fundamentally enjoyable with moments of humour set against the backdrop of an intriguing and unnerving plot; exactly the recipe for a sublime Doctor Who narrative. There were moments that felt quite Sherlockian with the on-screen text, some elements were reminiscent of The Idiot’s Lantern and Silence in the Library, and there was a definite Blink vibe about the recorded warning message before the credits; none of which felt like it was a rehash of old material, but rather something recognisable that was fresh and unique to this story.
It was also the perfect introduction for Clara Oswald, the Doctor’s new time-travelling companion; although we’ve already met her in Asylum of the Daleks and The Snowmen (albeit in completely disparate scenarios), this episode re-introduced her in a way that felt both familiar and new - kind of like bumping into someone you used to go to school with, but they haven’t the foggiest clue who you are.
Now properly established in her role as Clara, Jenna-Louise Coleman is the quintessential companion, and her chemistry with Matt Smith is wonderfully dynamic. As ever, Matt Smith is thoroughly excellent as the Doctor and is a constant joy to watch, and considering Coleman has only featured in two previous episodes, it’s remarkable that she already feels just as much a part of the show as Smith or the TARDIS. I’m looking forward to watching her character develop more over the coming episodes (and, of course, the 50th anniversary special), and intrigued to discover the truth behind her character is seemingly scattered around time and space (sidenote: in Clara’s ‘101 Place to See’ book, her 16th and 23rd years are missing... Did she just not write down those two ages, or is there something to it?)
All in all, The Bells of Saint John is a phenomenal way to kick-off Doctor Who’s 50th year and a fantastic return to series seven. It’s one of the most entertaining and well-rounded episodes in a while, an absolute highlight for series seven so far, and certainly ranks highly, close to The Doctor’s Wife, in my list of all-time favourite Doctor Who stories.
Next week, Clara asks the Doctor to take her somewhere awesome, and he doesn’t disappoint in The Rings of Akhaten...
If you missed last night’s episode, you better have a bloody good reason.
Catch it on iPlayer here.
┓┏ 凵 =╱⊿┌┬┐
Saturday, 30 March 2013
David Tennant and Billie Piper Confirmed for Doctor Who's 50th Anniversary
This article can also be found on Media Gateway.
It's been the topic of speculation for quite some time, but at last the rumours have been revealed to be true. The BBC has confirmed that David Tennant and Billie Piper, the Doctor's tenth incarnation and his companion Rose Tyler, will be appearing in the special 50th anniversary episode of Doctor Who, commemorating the show's half-a-century long history.
Tennant and Piper will be reprising their roles as the Tenth Doctor and Rose alongside the current Doctor and new companion Clara Oswald, Matt Smith and Jenna-Louise Coleman. The anniversary special, which begins filming next week, will also star the legendary John Hurt.
The one-off episode is set to see a host of Doctor Who stars past and present (maybe future, who knows) and is expected to air on the 23rd November. The episode will also be filmed in 3D for the first time in Doctor Who history, which is a bonus for anyone who enjoys wearing ridiculous glasses when watching telly...
As part of the anniversary events, the BBC will also be broadcasting An Adventure in Space and Time - a one-off drama looking at how this iconic show came to be.
It's all rather exciting, isn't it?!
Meanwhile, the first episode of the Doctor's adventures in 2013, The Bells of Saint John, will be screened tonight at 6.15pm on BBC One. Don't trust the WiFi...
It's been the topic of speculation for quite some time, but at last the rumours have been revealed to be true. The BBC has confirmed that David Tennant and Billie Piper, the Doctor's tenth incarnation and his companion Rose Tyler, will be appearing in the special 50th anniversary episode of Doctor Who, commemorating the show's half-a-century long history.
Tennant and Piper will be reprising their roles as the Tenth Doctor and Rose alongside the current Doctor and new companion Clara Oswald, Matt Smith and Jenna-Louise Coleman. The anniversary special, which begins filming next week, will also star the legendary John Hurt.
The one-off episode is set to see a host of Doctor Who stars past and present (maybe future, who knows) and is expected to air on the 23rd November. The episode will also be filmed in 3D for the first time in Doctor Who history, which is a bonus for anyone who enjoys wearing ridiculous glasses when watching telly...
As part of the anniversary events, the BBC will also be broadcasting An Adventure in Space and Time - a one-off drama looking at how this iconic show came to be.
It's all rather exciting, isn't it?!
![]() |
| It can't be... It's a temporal pair-o-Docs! Matt Smith and David Tennant at read-throughs for the 50th. |
Tuesday, 19 March 2013
Charlotte Campbell's Blue Eyed Soul PledgeMusic Campain
This article can also be found on Media Gateway.
Charlotte Campbell, the sensational Southbank Songstress and YouTube warbler, is currently working on her debut album, Blue Eyed Soul. The independent singer has set up a PledgeMusic crowd-funding campaign to help finance the production of the album, and has included a range of incentives in exchange for pledges. Starting at just £6, pledges range from a digital download of Blue Eyed Soul, her original EP Stay and the EP for rock band Ideawake, through to house shows and songwriting/jam sessions.
Charlotte's campaign impressively garnered 100% of the original goal within the first 24 hours after the campaign was launched. The new goal is to reach 100 pledges, and with 32 days still to go there's plenty of time to contribute and help finance the production of her debut album.
Additionally, 5% of any pledges made after the 100% marker will go to the Herts Inclusive Theatre, an award winning charity working with disabled and non-disabled children, young people and adults.
Check out and pledge to Charlotte's PledgeMusic campaign here.
You can also check out some of her other music on her YouTube channel here, and read my previous article about Charlotte's music here.
Charlotte Campbell, the sensational Southbank Songstress and YouTube warbler, is currently working on her debut album, Blue Eyed Soul. The independent singer has set up a PledgeMusic crowd-funding campaign to help finance the production of the album, and has included a range of incentives in exchange for pledges. Starting at just £6, pledges range from a digital download of Blue Eyed Soul, her original EP Stay and the EP for rock band Ideawake, through to house shows and songwriting/jam sessions.
Charlotte's campaign impressively garnered 100% of the original goal within the first 24 hours after the campaign was launched. The new goal is to reach 100 pledges, and with 32 days still to go there's plenty of time to contribute and help finance the production of her debut album.
Additionally, 5% of any pledges made after the 100% marker will go to the Herts Inclusive Theatre, an award winning charity working with disabled and non-disabled children, young people and adults.
Check out and pledge to Charlotte's PledgeMusic campaign here.
You can also check out some of her other music on her YouTube channel here, and read my previous article about Charlotte's music here.
Friday, 1 February 2013
Star Trek Online: Three-Year Anniversary
This weekend marks the third anniversary of Star Trek Online, and to celebrate Cryptic Studios are hosting a special anniversary event, running from Stardate 66552.4 through to 66590.8 (or 1st to 14th February for those who still use the 21st Century dating system). The event includes the appearance of the infamous Q on Earth Space Dock and Qo'noS, hosting parties and rewarding players for completing his tasks.
The three-year anniversary also sees the release of a brand new featured episode - Temporal Ambassador - starring Denise Crosby reprising her role as Lieutenant Tasha Yar from Star Trek: The Next Generation. In addition, players will be able to earn a free ship by completing this episode, with Federation players being rewarded with an Ambassador Class Support Cruiser, and members of the Klingon Defence Force with a Kamarag Class Battlecruiser.
Boldly go into the final frontier and celebrate STO's third year, and check out the infographic below to see what's been accomplished in Star Trek Online thus far.
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